James Cuno And Parthenon Marbles

James Cuno Will Leave Art Institute Of Chicago To Head Getty Trust Bleader

James Cuno Will Leave Art Institute Of Chicago To Head Getty Trust Bleader

Christopher Hitchens Lost And Stolen Art Panel Panel Art Christopher Hitchens Paneling

Christopher Hitchens Lost And Stolen Art Panel Panel Art Christopher Hitchens Paneling

Tom Rhoads Chasing Aphrodite

Tom Rhoads Chasing Aphrodite

The Getty S Cuno Speaks Against Repatriation Artnet News

The Getty S Cuno Speaks Against Repatriation Artnet News

Archaeologists Red Flag James Cuno Named Getty Trust President Culturegrrl

Archaeologists Red Flag James Cuno Named Getty Trust President Culturegrrl

A Mock Trial At The Art Institute Revisits The Dicey Question Of Who Owns Culture Bleader

A Mock Trial At The Art Institute Revisits The Dicey Question Of Who Owns Culture Bleader

A Mock Trial At The Art Institute Revisits The Dicey Question Of Who Owns Culture Bleader

But of course it would.

James cuno and parthenon marbles.

James cuno has personal experience of the current scramble empowered by aggressive nationalism to claw back a multitude of. The promise of muse. We have our own debate with james cuno the president and director of the art institute of chicago and author of the recent book who owns antiquity. Ownership necessarily betrays historical balances of power says james cuno art curator historian and president and ceo of the getty trust.

Cuno scoffs at athens insistence that returning the marbles would restore the unity of the parthenon. The case for restitution watch the debate here. James cuno will be a familiar figure to long time readers of this blog. Jul 31 2009 3 18 pm edt.

Instead his article focuses on what he considers to be an entirely different class of ancient objects that includes the parthenon marbles. Representing the anti restitution side of the museum establishment in the usa he has been one of the most outspoken critics of the return of artefacts. The debate surrounding the parthenon marbles is about more than just repatriation. It is also a question of national identity.

Museums and the battle over ancient heritage and christopher hitchens columnist for vanity fair and author of the book the parthenon marbles. Christopher hitchens has just released a revised updated edition of his book on the parthenon sculptures. As any who have read this book will know it takes pretty much the opposite viewpoint to james cuno s new book on the ownership of cultural property. What cuno writes about the parthenon marbles and about nefertiti can be easily ignored.

Hitchens cuno debate the fate of the parthenon marbles arts. We have learnt not to call them the parthenon marbles. The works of phidias were completed in 432 b c but it might be argued that the parthenon marbles were created in 1687 when that shell turned the parthenon into a husk and many of its. We have our own debate with james cuno the president and director of the art institute of.

A getty spokeswoman said cuno s article which criticizes unesco was commissioned quite some time ago and not spurred by recent parthenon marbles developments which also include george. He tells only part of the. Unlike the churches and mosques that foreign powers built on the acropolis which were subsequently removed by the newly independent greek government the marbles are physically integral to the parthenon itself.

Debate Rages About Rights Of Museums To Resist Claims On Artefacts Made By The Countries Of Origin South China Morning Post

Debate Rages About Rights Of Museums To Resist Claims On Artefacts Made By The Countries Of Origin South China Morning Post

Barry Munitz Chasing Aphrodite

Barry Munitz Chasing Aphrodite

Will The Museum Of The Future Be Universal Or Defined By Its Borders The National

Will The Museum Of The Future Be Universal Or Defined By Its Borders The National

Bcrpm 2009 News Archive

Bcrpm 2009 News Archive

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